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Thelma: A Country Opera

by Claire Whitehead

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  • Features all the lyrics to the songs, plus some photos from the making-of, and you get the digital album when you buy it! Read while you listen and have something tangible to hold when you buy the album.

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1.
I made the food, I tidied up Despite my leaving, hope that’s enough He won’t be happy, but he never is When I get back, won’t hear the end of it But that’s how it goes, that’s all I know Except seldom times, one little friend I let in her in, like a little light Cause ain’t no harm, in trying to feel alright And Daryl don’t need to know, what I do Just for fun, with just a friend And Daryl don’t need to know, what I do On a little run with just a friend I pick my shirts out, with visions of The sun a shinin’, down on us It’s just a picture, I’d like to live Just for the length of, the shutter’s click It’s a quick distraction, a slight of hand We stretch the boundaries, like a rubber band though the elastic, comes snapping back I can pin the picture, with a little tack Though that elastic, comes snapping back I can pin the picture, with a little tack Up in that corner, corner of my mind Up in that place, he’ll never find
2.
You say a woman will not win in this kind of situation Dancing all night long the final page is written So you hesitate in bringing us down to the station Saying something of this nature can’t be fought Now I am standing lost at your headstrong resolution Locking into something that you know right to your bones I have no direction Was I having too much fun? Am I the one to blame while you keep us on the run? I guess for purpose and a plan they built a law inside a plot And in this story line we cannot call the cops I feel ever so empty now you say your run is real You're heading out the country and you need to know my deal Troubles they were always easy to evade I’d shrink them in my mind like a ball to kick away But this time it's an anchor a weight on which I'm moored Unless I make my mind up it cannot be ignored Oh and Daryl? he said, “hunny I hope you're safe and sound” Now just who are we kidding he'll skin me when I'm found For purpose and a plan they built a law inside a plot It's like his frame of mind that's keeping me confined For purpose and a plan they built a law inside a plot It feels like a good time to cross that border line So I watch you drive along as I search for a sign Of what could be ahead of us on what we can rely You say women will not win in this kind of situation And Texas is especially a risky destination For purpose and a plan they built a law inside a plot There’s much more that you know about this storyline For purpose and a plan they built a law inside a plot And Texas ain't the kind of place you wanna get caught.
3.
Hello stranger Put your loving hand in mine You are a stranger And you're a friend of mine Get up, rounder Let a working girl lay down You are a rounder And you're all out and down Every time I ride the six and four street cars I can see my baby Peeping through the bars He bowed his head And he waved both hands at me He's prison bound And longing to be free Well, I’d do like you If my troubles were like yours Running around Settling the score Hello stranger Put your loving hand in mine Hello stranger Put your loving hand in mine You are a stranger And you're a friend of mine
4.
No I won’t accept that this is it And now that I’m now the one most fit I’ll sharpen my eyes to the open door And find us some way out of this There’s this thing I can’t accept It’s the crumpling of a beautiful friend So I’ll make a fuss until you stand And wash despair out of your hands I have this feeling free of doubt First time with all my whereabouts I’ll throw my weight into the fight Do anything to make it right Come on friend I know you’re at wits-end I’m sorry and I’m tired too But I hate the way that failure looks on you So let’s go There’s this other thing I won’t concede Risking all this just to see defeat So I’ll dig my heels into the plan To stick this out any way we can I’ll turn a new leaf, the darkest kind You’ve done the same and we’ve seen each side There’s nothing too wrong to do If I can make this up to you You always held the answer of how to hold your own I can’t believe I could be out there now alone If you don’t have it in you, I guess it’s gotta be Hidden deep down, somewhere inside of me So I’ll keep this train a-running and the engine hot Smoking like the pistol when you took your shot There’s nothing too wrong to do, if I can make this up to you I’ll keep this train a-running and the engine hot Smoking like the pistol when you took your shot Smoking like the pistol when you took your shot
5.
I know we broke a wall and we're running around outside So I observe the structure how the soldiers flank its sides What are they protecting as they call themselves free men? And roar it from their wheels numbering to ten They built around the people a fortress to defend The way a woman lives for man’s monetary ends So I break back in and I take the cash I need For this newly fashioned outlaw life I lead With purpose and a plaaaan we start to claim our fine Now let us flee the scene…. of our last goddamn crime!
6.
Lucky Stars 04:20
I guess it happened to you too Didn’t it, didn’t it I guess it stays alive in any place In a bar, a home, or Texas Somebody treat you so unkind Best thing to do, is lose your mind Now all the lucky stars are what we look up to Out in a distant canyon We’ve been travelling through I guess you’ve tossed inside that spider web Body caught, twist and shock I guess you took your mind outside your head Found a place to get free instead And now we stare into the night Silently, settling You once held everything you are So bring it back, the separate parts You did your best by me and now it’s time to let the sun set on our sorrows Cuz there’s something about this driving As we breathe the desert air I feel a realigning, something Taking us out there Well I am travelling by your side Every part of you, through the canyon night
7.
Now I’ve thought of how I’ll try to plead my case To all the people living inside a man-made place And I can envision sitting comfortably The judge who holds up highly how it’s all designed to be And I’ve come to see how you walk around so steady Cause you do not lean your weight onto a scale tipped to a fate I see how we’ve been wronged and there’s more than just one crime But what we know of justice will never see that side You know I can’t go back No, I just couldn’t live And I can tell you surely now do not doubt what you did ‘cause he was doing wrong and there was more than just one crime But what we thought of justice has never been alive For purpose and a plan they built a law in side a plot But something irrevocable implores new ways to live For purpose and a plan they built a law in side a plot But outside of that law we don’t doubt what we did
8.
We are two Reckless Angels Flying down into the world we once knew To play around with the ugliest parts That we’re fending off our human hearts We grow a feather black as the mine for every moment that you’re cleared of a crime We take the mud you throw our way to grease our flapping shoulder blades We’re not the kind sent from above we lifted up when you gave us a shove Oh sweet deliverance oh weightless sky when we land down you better run and hide We’ve travelled far fallen off the path There’s no use trying now trying to go back Is it the devil Is it the lord Is it the faults of men from which we’ve soared In the dark abyss we forged a gun with vengeance on our minds and a little bit of fun
9.
Spent my days in a silk housecoat with One, loyal, microwave Waiting, for the hairpin drop of a Man, taking his tantrum off on me Met another one in a cowboy ring Playing a game, long and mean Something i could not have seen without your Eyes, from a distant life, Louise But now I know, that there’s no right way for a Woman to live in a wrong, wrong world And I don’t wanna live, without my woman, Louise And they’ll say, that we’ve done the worst According to a man-made verse Which will still allow a life of hurt For anyone who ain’t meant to be ace-high Now looks to everybody else around That this old girl has lost her mind But what I seen in the afterclaps, is This old world’s looking funnier to me And you always held assurety You’ve lived it through, you’ve got the proof To make things what they oughta be won’t trust no law, or no police Now, like the setting desert sun Tipping into canyon nights Something all around my is Crossing over wrongs and rights And they’ll chase us down And they’ll spit from a truck So hand me that gun, cuz i’m I'm all out of luck

about

Thelma: A Country Opera is a “coming-of-agency” story, about the transformation of self and relationships when someone becomes disillusioned with the rules of our world. Based on the 1991 classic film Thelma & Louise, songwriter Claire Whitehead presents 9 dynamic songs about Thelma’s conflict with the law and how her views of love and power structures are forever changed. Though they may be rooted in a country style, each song highlights the power of a very different emotion along Thelma’s internal journey.

As the film addresses sexual violence and police roles in upholding injustice, so do some of the songs. However, Black, Indigenous and Trans Womxn experience disproportionately more violence and incarceration from the "justice" system than white women, so I have decided that all profits from the first month of sales of this album will be split 50/50 between two organizations that support the lives of Black, Trans and Indigenous Womxn: Black Womxn In Motion @blackwomeninmotion; and Native Women's Friendship Centre, (both based in Toronto). I encourage you to check out these organizations and how they support their communities. If you are at all interested in listening to the album please just make a purchase, if you can, between now and May 23rd. Thank you!

credits

released April 23, 2021

All songs written by Claire Whitehead (except for “Hello Stranger”, by A.P Carter).

Claire Whitehead: acoustic guitar and vocals on all tracks, fiddle (on bridge of track 9)
Peter Elkas: acoustic guitar (tracks 1-5, 7-9), bass (tracks 1, 3, 4, 8, 9), electric guitar (4), drums (3), wurlitzer (6)
Dani Nash: drums (tracks 1, 3, 4, 9)
Kelly McMichael: piano (1, 9), wurlitzer (4, 9), vocal harmonies (4, 9)
Tara Dunphy: fiddle (solo in track 9)
Christine Bougie: lapsteel (9, intros to 2 and 6)

Recorded, mixed and produced by Peter Elkas
(“No Right Way, Louise” co-produced by Kelly McMichael)

Mastered by Heather Kirby

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Claire Whitehead Toronto, Ontario

Claire Whitehead is a songwriter who gets inspired by feelings, films, art and nature and attempts to translate them into songs.

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